Preface: An Introductory Account by the translator, C. R. Ashbee
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The Treatise on Goldsmithing: Introduction
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The Treatise on Goldsmithing: Chapter I. On the Art of Niello
8:33
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The Treatise on Goldsmithing: Chapter II. On Filigree Work
15:59
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The Treatise on Goldsmithing: Chapter III. Concerning the Art of Enamel
21:36
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The Treatise on Goldsmithing: Chapter IV. Jewellery
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The Treatise on Goldsmithing: Chapter V. How to Set a Ruby
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The Treatise on Goldsmithing: Chapter VI. How to Set an Emerald and a Sapphire
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The Treatise on Goldsmithing: Chapter VII. How to Make Foils for All Sorts of Transparent Jewels
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The Treatise on Goldsmithing: Chapter VIII. On the Cutting of a Diamond
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The Treatise on Goldsmithing: Chapter IX. How You Tint a Diamond
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The Treatise on Goldsmithing: Chapter X. How to Give a Diamond its Reflector
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The Treatise on Goldsmithing: Chapter XI. About White Rubies and Carbuncles
8:15
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The Treatise on Goldsmithing: Chapter XII. Minuterie Work
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The Treatise on Goldsmithing: Chapter XIII. On Cardinals' Seals
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The Treatise on Goldsmithing: Chapter XIV. How to Make Steel Dies for Stamping Coins
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The Treatise on Goldsmithing: Chapter XV. About Medals
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The Treatise on Goldsmithing: Chapter XVI. How the Before-Mentioned Medals are Struck
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The Treatise on Goldsmithing: Chapter XVII. Another Way of Striking Medals with the Screw
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The Treatise on Goldsmithing: Chapter XVIII. How to Work in Large Ware, in Gold and Silver and Such Like
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The Treatise on Goldsmithing: Chapter XIX. How to Begin Making a Vase
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The Treatise on Goldsmithing: Chapter XX. Another and a Better Way of Casting
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The Treatise on Goldsmithing: Chapter XXI. Yet Another Furnace, Such a One as I Made in the Castle of St. Angelo at the Time of the Sack of Rome
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The Treatise on Goldsmithing: Chapter XXII. How to Fashion Vessels of Gold and Silver, Likewise Figures and Vases, and All that Pertains to that Branch of the Craft called 'Grosseria'
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The Treatise on Goldsmithing: Chapter XXIII. Another Method for Gold and Silver in Such Things
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The Treatise on Goldsmithing: Chapter XXIV. A Third Method for Similar Things
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The Treatise on Goldsmithing: Chapter XXV. Of Figures Made in Silver and Greater than Life Size
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The Treatise on Goldsmithing: Chapter XXVI. How to Gild
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The Treatise on Goldsmithing: Chapter XXVII. A Recipe for Making Colours and Colouring the Gilded Parts
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The Treatise on Goldsmithing: Chapter XXVIII. A Recipe for Making Another Sort of Gilding Colour
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The Treatise on Goldsmithing: Chapter XXIX. How to Make a Third Gilding Colour for Very Thick Gilding
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The Treatise on Goldsmithing: Chapter XXX. How to Make the Wax for Gilding
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The Treatise on Goldsmithing: Chapter XXXI. How to Make Yet Another Colouring
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The Treatise on Goldsmithing: Chapter XXXII. The Manner of Applying the Said Colour
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The Treatise on Goldsmithing: Chapter XXXIII. What You Do When You Wish to Leave Bare the Silver in Certain Places
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The Treatise on Goldsmithing: Chapter XXXIV. How to Make Two Kinds of Aquafortis, One for Parting, the Other for Engraving and Etching
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The Treatise on Goldsmithing: Chapter XXXV. How to Make Aquafortis for Parting
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The Treatise on Goldsmithing: Chapter XXXVI. How to Make Royal Cement
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The Treatise on Sculpture: Chapter I. On the Art of Casting in Bronze
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The Treatise on Sculpture: Chapter II. How the Above-Mentioned Clay is Made
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The Treatise on Sculpture: Chapter III. Another Method of Casting Figures in Bronze of Life Size or a Little Under
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The Treatise on Sculpture: Chapter IV. How to Construct Furnaces for Casting Bronze, Whether for Statues, Ordnance, or Other Such-Like Things
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The Treatise on Sculpture: Chapter V. How to Carve Statues or Intaglios, or Other Works, Such as Divers Beasts, in Marble or Other Stones
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The Treatise on Sculpture: Chapter VI. Of Carrara Marbles
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The Treatise on Sculpture: Chapter VII. A Disquisition on Colossal Statues Whether Moderate or Very Great
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The Treatise on Sculpture: Chapter VIII. The Mystery of Making Great Colossi
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